视频：布魯赫 : E小調為單簧管、中提琴與樂團所作的協奏曲Op.88
TAGS： 古典音樂
视频介绍： Bruch : Concerto for Clarinet、Viola, and Orchestra in E minor Op.88 布魯赫 : E小調為單簧管、中提琴與樂團所作的協奏曲Op.88 單簧管 : Javier Vinasco 中提琴 : Braunwin Sheldrick 指揮 : Juan Daniel Montoya 樂團 : Orquesta Sinfónica EAFIT 說明 : This work from late in Bruch's career, though written when atonality and dissonance were coming to the fore, is very much music of the Romantic age, or at least of the period's more classically reserved, Brahmsian element. Bruch avoids sharp contrasts and dramatic outbursts; he seems to be taking his cue from the similarities between the two solo instruments, whose ranges are practically identical. It's the viola that gets the first word in the opening Andante con moto, in a short, rhapsodic passage punctuated by orchestral chords. The clarinet then voices the same material itself, and the two instruments begin to intertwine. Bruch then undertakes a pattern of phrase trading between the soloists, rounding off the movement's subsections with small duets. The composer basically employs sonata form, but the structure is obscured by the slow harmonic and metrical motion; the music seems more rhapsodic than it really is. Although marked Allegro molto, the second movement sounds no faster than the first, thanks to Bruch's reliance on longer-held notes. The soloists here work in duet far more consistently than in the first movement. Again, the writing is highly lyrical, although it lacks truly memorable melodies. Pizzicato accompaniment brings a little more animation to the movement's second episode, although the solo lines remain long and maintain a nostalgic feeling. The first section returns in full, and what initially seems to be a reappearance of the second section turns out to be merely a coda. The concluding Allegro molto promises more vigor with its opening brass fanfares and swirling string figures, the latter soon picked up by the soloists in turn. Movements : 1.Andante con moto 2.Allegro moderato 3.Allegro molto
视频介绍： Bruch : Concerto for Clarinet、Viola, and Orchestra in E minor Op.88 布魯赫 : E小調為單簧管、中提琴與樂團所作的協奏曲Op.88 單簧管 : Javier Vinasco 中提琴 : Braunwin Sheldrick 指揮 : Juan Daniel Montoya 樂團 : Orquesta Sinfónica EAFIT 說明 : This work from late in Bruch's career, though written when atonality and dissonance were coming to the fore, is very much music of the Romantic age, or at least of the period's more classically reserved, Brahmsian element. Bruch avoids sharp contrasts and dramatic outbursts; he seems to be taking his cue from the similarities between the two solo instruments, whose ranges are practically identical. It's the viola that gets the first word in the opening Andante con moto, in a short, rhapsodic passage punctuated by orchestral chords. The clarinet then voices the same material itself, and the two instruments begin to intertwine. Bruch then undertakes a pattern of phrase trading between the soloists, rounding off the movement's subsections with small duets. The composer basically employs sonata form, but the structure is obscured by the slow harmonic and metrical motion; the music seems more rhapsodic than it really is. Although marked Allegro molto, the second movement sounds no faster than the first, thanks to Bruch's reliance on longer-held notes. The soloists here work in duet far more consistently than in the first movement. Again, the writing is highly lyrical, although it lacks truly memorable melodies. Pizzicato accompaniment brings a little more animation to the movement's second episode, although the solo lines remain long and maintain a nostalgic feeling. The first section returns in full, and what initially seems to be a reappearance of the second section turns out to be merely a coda. The concluding Allegro molto promises more vigor with its opening brass fanfares and swirling string figures, the latter soon picked up by the soloists in turn. Movements : 1.Andante con moto 2.Allegro moderato 3.Allegro molto
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